It feels like you are peering through a letterbox, and should be avoided. > . On a separate note the phantom's magic throne didn't work at the end so he didn't vanish and the ending was a bit strange with just Meg staring at the audience as the lights go down. However, with the quality of the show the price is still value for money. Best are B 13 and 14. Part of me was hoping for amazing music, awe-inspiring sets and an emotional rollercoaster of a story. So go see the show. The theatre is beautiful and conveniently located. Worst of all - missed the final part of the lair when, for all Id have know, Phantom could have just sauntered off stage!! Such an angelic yet powerful voice, a beautiful face and wonderful stage presence. I had expectations aplenty of the show, giving its 18-year run in the West End. 'Phantom' was special. They should not sell any tickets for this seats. I prefer the old staging, and the older orchestration. Now you're talking! ** 'First Cover' the first choice actor to take a lead role in case of another's illness. __________________________________, October 3rd 2016. Still, it was a relief to hear a non-American accent (both Patric Wilson and Emi Rosum needed voice coaching). A hideously deformed musician enjoys chasing a talented young lady singer around the stage. Obviously the restricted ones have their downfalls but at least you know that in advance. Main reason for wanting to go and see this again was to see Ben Lewis, as I thought he was good in the 'Love Never Dies' stage production they filmed and released. The atrocious stage framing of nude women being groped by demonic looking centaurs is entirely inappropriate for a show where children are allowed to sit in the audience, and was very distracting. The show started on time and approximately 5 minutes later, approximately 25 latecomers arrived separately in small groups and were seated in with ushers along the Grand Circle. Very angry and very disappointed. Twitter: https://twitter.com/TheOperaGhosts. My biggest gripe is that the great singing that one would have every right to expect from an "opera-based" show is virtually nonexistent. I couldn't see the chandelier rise all the way up to the ceiling due to the next level overhanging, but of the stage it was very good. !! Unfortunately by this time we felt completely disconnected from the scene on stage and this was seemingly the case also for the latecomers who commenced to chat quite openly. A feature of the performance I'd never really been forced to consider before in the theatre was the amplification of the singers. Really enjoyed the show, Earl Carpenter as Phantom and Rachel Barrell as a superb Christine. My one criticism (perhaps controversially) is that on several occasions, especially apparent in Notes/Twisted In Every Way in Act Two, there are too many people singing different lines over each other to hear what anyone is singing individually. He seemed so active and young around Katie, he was bouncing around the stage. Luckily the show we went to see was fab! VDOMDHTMLtml> Her Majesty's Theatre - London VIP Box & Suites Find wonderful Her Majesty's Theatre - London VIP Box & Suites for your next event. In this seat, you are sitting next to a spotlight operator, but the gentleman I sat beside was very respectful. As it is, it plays like the West End's granddad on life support, while there are young, vibrant shows out there in Theatreland. Ramin is worth the ticket price alone. We have both seen the show four or five times before, going right back to the Michael Crawford days and the performance last Thursday was up there with the best. Oliver Thornton (Raoul) isn't the best in the cast but then again isn't the worst, his voice is pretty good and his acting is acceptable, but Earl outshines them all. After providing them with the booking reference number on the ticket, I have the money back in my account, and was actually amazed at their ability to help me out (after being so notoriously bad!) A "Must-See". Theatremonkey show opinion. The gentleman that previously wrote in the defence of Raoul lacking charisma is so correct in what he says, yes this is how Raoul is supposed to beI think that those who slate POTO have no appreciation for this form of entertainment which is absolutely fine as we all have different tastes but hey just admit that its not for you, there's no need to rip it apart.take note Theatre I was also impressed with the leg room, I'm 6 foot and it was ample. Earl Carpenter's singing and acting is superb throughout, as he brings true emotion to the role. Having been told by the representative that yes you could in fact buy tickets on the door, at a cheaper price for the best seats in the house, we set off extra early, and arrived at the theatre at about 8.45am for the doors to open at 10am. As a lifestyle editor and frequent West End visitor I've even recommended your page to our readers :) . I would recommend row D and above. Whilst the current Christine is not the best, we have to remember that this is one of the most demanding roles musical theatre has ever created. Port Talbot, South Wales She was fabulously camp and over the top, as any good diva should be. As for my verdict - it is still the best show in London and a must see (many times)! Alf ___________________. They should have switched roles. ___________________________. My girlfriend and I went to see 'Phantom of the Opera' last night (6th January 2009). Overall a superb show-see it at least once and DO NOT believe the review the monkey has given it. There is overhang from the Circle but with the (new) Phantom staging its not cutting out anything. To add insult to injury, the couple sitting in front of me decided to lean forward and put their heads close together so by that point I'd had enough and I asked them to sit back as otherwise I would have missed the chandelier rising up. He is a true gentleman and a real star in a profession where there are few. London Two friends and I went to the matinee performance of 'Phantom' on the 18th January 2011. But then I found your website, and spent over an hour reading anything and everything Phantom-related, and so it were that yesterday we stood for all of 45 minutes outside Her Majesty's Theatre, and got ourselves two tickets for the matinee, in the 4th row (stalls!) Very good leg room. 1st floor is mostly seating and is the upper level. She was very impressive and did the musical justice - easily bettering Sarah Brightman for anyone who listens to the original CD. The spectacular staging always dazzles, and the score throbs emotion throughout. __________________________, We saw the show for the first time on Saturday 7th October 2006. _______________________________________________. Was a pity but nonetheless a spectacular show! Ramin Karimloo was fantastic as 'Phantom', but personally I felt he was outdone by 'Christine' played by Katy Hall, her singing was amazing. Phantom of The Opera is like Marmite, you either love it or you hate it. I always avoid the restricted areas just in case. I watched 'The Phantom of the Opera' for the first time. Staff were friendly and helpful and the overall ambience was an enjoyable experience.The show was fantastic! The whole show is hidden behind a huge chandelier, and some very talented singers. The only seats that are really bad in the Sumner are any in the first row, and the second arent much better. Kristina P. P.S. That said, this is a great show and I don't think you can be a regular West End theatre goer and not see it. If you are a resident of another country or region, please select the appropriate version of Tripadvisor for your country or region in the drop-down menu. A really great job. The lady next to me had an exciting moment (she went oohhhh) when a male dancer was leaping around and his thong showed beneath his costume! Restricted view Some seats at the theatre will be labelled as 'restricted view'. They were dead centre, we had not a single obstruction and could see every aspect of the production perfectly. We were both absolutely blown away by the beginning when the music starts and the chandelier begins its ascent. The stage sets were fantastic, as was the whole production. It was my first time to see it and thanks to theatremonkey, I got a full-priced ticket less 20! I understand people have different tastes but this is ridiculous! 2023 whichseats.com, Her Majesty's Theatre (His Majesty's Theatre) Stalls Q16, https://www.whichseats.com/index.php/her-majestys-theatre/stalls/q/16, Seat Q16 in the Stalls at the Her Majesty's Theatre (His Majesty's Theatre), Her Majesty's Theatre (His Majesty's Theatre). Of course the story is daft, we all know that, but nevertheless it is pretty compelling and as with other big productions in London I just love the stagecraft involved which just makes me think oooh, thats clever the chandelier really is enormous, I was quite thankful I wasnt underneath it, the mirror, the magic tricks etc wonderful. It was great being so up close and personal to the actors and catching their eye on several occasions ;). November 2004 While some seats cost 144.50 each, there will be 15,000 tickets at 15 for key workers, under 30s and those receiving jobseeker's allowance or other benefits, plus 15,000 free tickets for. You must see this show, at least once!!!!! The priciest seats are also the best, smack bang in the centre of the front rows. I may only be 13 but I've seen 14 West End shows and Phantom Of The Opera is the best out of them all. In spite of its size, the Olivier has a concentrated intimacy. Went last night (8th January 2018) sitting in N14 in the stalls bought for 40 through the London Theatres January sale. These seats are very good. Unfortunately, the audience seemed as badly behaved as ever at this show - one woman sat behind me was munching crisps during the first act, whilst a man sat behind me was translating the show for his friend. Leg room was very good, even for long legs. Form beginning to the final curtain this production was excellent. It's certainly not a musical that I'd rush out and buy the OCR straight after but more perhaps pluck a handful of the best ones from i-tunes (or alternatively just nab my mother's 'Andrew Lloyd Webber Collections'!). This was the first show I ever saw in the West End and that is always an exciting time for anyone. Katy Hall as Christine was magnificent, her voice was excellent and she acted well in addition to singing well. I totally disagree with Theatremonkey. The man next to me was entranced and said it was wonderful, exactly my reaction when I saw it first in 2000. later visit: Maybe would have been better volume-wise further back. This time it was Phantom, sitting in our favoured spot in the front row of the Dress/Royal Circle, in the outer section just by the aisle, A25 and 26. The kids loved it and want to see it again for their next birthday, but personally Phantom had lost some of it's magic. Nadia Ansari This show, along with 'Les Misrables', is one of the "crown jewels" of West End theatre. The second time I saw POTO I realised I had missed so much the first time round, so knew I had to go again just in case I missed even more! If anyone in front of you leans forward, they completely obscure your view and you have quite an area of stage left cut off from view. I had no idea such incredible music could be ruined so easily. I sat down and realized that my feet were dangling in mid air as I couldn't reach the floor. Christina. Also, being the main theatre in Aberdeen all the shows are usually here so you don't have much choice. The audience consisted of mainly tourists from SE Asia and I did wonder how on earth they could understand the performance, not easy when it is all sung, but the Korean girl sitting next to explained that she had already watched the film in Korea, so knew the story. I have played the soundtrack every day since coming back, ha ha. I'm 5.4 and I had no problem with the leg room and the stage wasn't very high so you could see everything even at the back of the stage. The theatre was quite warm for a chilly night, only felt cold when side door near the seats was open. Both the current London Christine's are also amazing; the passion with which they sing is brilliant. The poor Phantom should get Christine! Enjoy amenities such as VIP entrance, parking, club access and more Need Help? Leila did not come out in time for us to see her, but Alex and Ramin did. A big compliment however for Wendy Ferguson as Carlotta, she was very very good. Come on, recast already!! 1 of 3 His Majesty's Theatre Seating Map Download HIS MAJESTY'S THEATRE SEATING MAP Downstairs at The Maj Seating Map Download DOWNSTAIRS AT THE MAJ SEATING MAP DC Bar Seating Map Download DC BAR SEATING MAP Other pages in Your Visit: History Shes currentlyhome to the biggest show Melbourne has seen in decades and judging bypast performances of Harry Potter and the Cursed Child, that buzz electrifies every member of the audience no matter where theyre seated. On taking our seats we could not help but notice how impressive the set looked even pre-show. I do believe that he single handedly ruined the show. This row is one back from the handrail which means you're always at the mercy of the people sitting in front who sometimes sit forward and obstruct your view. The young man sitting behind me (who was taller than me) spent the whole performance with his knees banging against the back of my seat! ____________________________, 9th July 2011. It had me in tears and goosebumps in parts. This show is and always will remain the best musical in the world. Having read a previous reviewer mention the rather cool air-conditioning I came equipped with a warm cardigan - I should have left it at home, I was so warm and didn't feel any kind of cool air in the theatre at all - I left the theatre rather red-faced with the heat. J Middleton of Sheffield Paul Johnson Monday to Saturday at 7.30pm And, given the new awareness of safe spaces, its generally not too confronting to sit in the front row. Dont recommend this seat at all. For the (access rate) of 29.75 I thought it was great value. Now that it has, somehow, run for so long, it's going to run, and run, and run, isn't it? If you're in the stalls you won't see the chandelier fall or like below the knee on everyone. So for a show which is all about the relationships between the characters it failed. Please pass this on to all of the cast (company) and production team. Seat review: Grand Circle. _____________________, Saw Phantom this week (December 2010) for the first time and was blown away! Anna Forbes as Meg seemed to change the way she played Meg the last time I saw her with Sofia. We saw Ashleigh Fleming as Christine, who isn't one of the usual alternate 'Christine's.' Best seats are EE 29 and 30. M Reader reviews. We paid 40 + booking fee for Seats B27 and 28 in the Grand Circle, and whilst I'd never usually choose seats this high-up, I'd read on good authority (i.e. Dave Lorenz. Day Seats: 13th September 2018. We had 2 seats in row B of stalls (front row), what a nightmare, No leg room at all!!!!!! The Johnson Family I cannot recommend this show enough, and we will all definitely be going again. All rights reserved. My favourite are in the middle of row C stalls, front row of dress circle and even front row of upper circle is fine, a bit more distant but offers good value for the money. This show is an amazing visual spectacle and I would definitely go and see it again for that aspect of it alone. We would have preferred to think of him walking round in swirling mist in his black suit, and living in the theatre!!! They can hold the audience within the compass of their eyes. Would have been happy to pay full price for better seats but no cooperation from Theatre Tickets Direct. Grand Circle section Left B row 28 seat AmitTheatre Her Majesty's Theatre The Phantom Of The Opera For a slightly loftier night, those first rows of the circle are grand too. Additionally, I am a 6ft tall fellow, and felt very comfortable, since I was on the aisle. After this scene the unmistakeable unique theme music begins, the sound in the theatre was amazing, better than any cinema. The only thing I could think of that annoyed me about sitting in these seats is that Gina Beck (who plays Christine) had her back to us in some of the scenes, so we couldn't see her reactions to the other characters. (ironic statement). I went to see Phantom of the Opera just after Christmas time. _____________________________. Overall I loved it and found it very enjoyable, and I would recommend it. Great vocalists and the staging was very smart. I shall focus on my experience with buying the tickets, rather than the show itself (which was obviously outstandingly amazing!!!) It's no longer a big universe with lots of little characters, it's a small universe with a few big characters. Sofia Escobar is a superb Christine, young and naive, and in fine voice. And occasionally ruined by the worst. I was there with my missus, celebrating her 50th birthday, and travelling from northern Sweden and staying in a fairly expensive hotel, as much as I wanted to, I really couldn't afford the 140 two tickets for The Phantom of the Opera would cost And I really wanted to take her to that. Slight block from the right and left side of the stage depending on which side your seats are on. *based on 10 bookings made through various agents' websites. Christine was also very good and played the character well. And no matter how creepy Ramin Karimloo's 'Phantom' can be, his singing is beautiful and will blow you away. Maybe I will get a chance now the tour has announced Katie Hall as Christine and John Owen Jones to share the role of Phantom with Earl Carpenter. One thing I will point out, we treated ourselves to the 'RoyalBox Sharing Canaps' - what a waste of money! I am utterly astounded at the few negative comments about POTO (Phantom Of The Opera). ____________________. I first saw 'Phantom' in the West End over 20 years ago and cannot believe I waited till November 2011 to see it again - twice! He portrays the Phantom as autistic, and he had all these mannerisms that I picked up on straight away. I had an absolutely brilliant view here. I recently went to see 'The Phantom of the Opera' and thought it was excellent! Truly stole the show at times. Amazing. Not bad seats. Ms Christina Brooks The music was fantastic, and the singing was mind blowing. I took my mum and my boyfriend to see this show in October 2003, for my mum's 60th birthday. Some of the key moments happen on Down-Stage Right, but fortunately the singing and lines are so clear you can visualise it for yourself. This is the fourth time I have seen Theatremonkey's favourite show! __________________________________. Seating Maps Seating plans for performance spaces within His Majesty's Theatre. Phantom never lets us down, another amazing experience in Her Majesty's Theatre from start to finish and is even better that the Las Vegas production of the musical. At this point, I didn't know what was happening to me, the music caused the hairs on the back of my neck to stand up and I felt a shiver down my spine. John Owen Jones has ruined any other Phantoms for me and sadly, Ben Forster just didn't have the gravitas that I would have liked. I have seen a number of West End musicals and I have to say that not one of them has even come close to the sheer brilliance of Phantom. As I mentioned this is not my kind of thing, but this is a MUST see for anyone, even if they think it is not 'up their street'. Phantom is a heavy gothic rock show dressed up as an Opera, and if you do not like Pipe Organs and electric guitar this show is not for you. Sofia Escobar and John Owen-Jones were incredible as the two leads, both with a combination of astonishingly good voices and great acting. We had seats F23 and F24 in the Stalls. I have seen this show twice before with John Owen Jones and I think JOJ had the better voice. It is advised to avoid row B as the seats are very uncomfortable and whilst B10-12 seats are sold very cheaply and can be seen as a bargain it is worth knowing that the conductor obstructs the view. Tiny (child sized it appeared), and old - they leave you aching by the end of the performance. Although the story in the book is very different, having read it made the show much more enjoyable. I felt the seat was more comfortable as well, maybe as a result of me not having to crane my neck from side to side and upwards. Grand Historical Tour. The box office clerk said they were running in a new cast and this made it even more enjoyable, queuing whilst listening to some good choral singing. It was worth the money. Okay, so Phantom is kitschy faux-Puccini with a sprinkle of mainstream rock but I like kitsch, Puccini, and Rock (not necessarily in that order), so Im fine with that. Yes- the show had an amazing and powerful setbut if you can't see itwhat's the point? As per usual, Row B suffers from your view being spoilt if people in front lean over; I found myself envying the people sat in the central section in Row A as they paid the same price as me but are great seats. 2nd in line, and I got 030 in Stalls for 25 - way under Balcony missing a few of the stuff like Phantom on a set-piece high and the chandelier going up. Looking at, and listening to, those sitting around me, I rather got the impression that it has become nothing more than a tourist attraction that has to be seen on a visit to London, like Buckingham Palace or Piccadilly Circus. The comparison with the latter being particularly apt, as that too is always a disappointment. Can order interval drinks from very well priced bar. Paid 25 for top price tickets from See Tickets so a good deal. So what it the emotion is overblown? This review is the subjective opinion of a Tripadvisor member and not of Tripadvisor LLC. We tell you the seats to buy, which to avoid, and how to get them at the best prices, Haymarket, The Musical which brought the dress circle forward, making it a pretty good location if you want to take in the production's set. I am 5 foot 1 inch and was wearing 3 inch heels. It depends so much on the show. 13 February - 2 March 2023. Very enjoyable, polished 5 star performance. if you are in Royal Circle (where I was) you have to choose a seat to stage right because we were unable to see many scenes that occurred in stage left without leaning well forward. Placed at the end of the aisle in the centre I could see everything and even the slight overhang above did not obscure too much of THE chandelier. The show itself still does hold up well as a spectacle - the chandelier, the mirror, the boat, masquerade sequence all still make you go wow and make the many tourists gasp! I had no interest in opera, only knew one song and only knew the story in brief (and the Phantom was the only character I remembered) before I went to see it. Did not come out in time for anyone come out in time for us to see 'Phantom the... Around Katie, he was bouncing around the stage JOJ had the better voice London and real! Think JOJ had the better voice had an amazing visual spectacle and I went to see of! Was bouncing around the stage depending on which side your seats are on, but Alex and did. Phantom as autistic, and felt very comfortable, since I was on aisle! 18-Year run in the world at least once and do not believe the review the monkey given! A true gentleman and a must see this show, at least once and not! He brings true emotion to the original CD many times ) would go. Price for better seats but no cooperation from theatre tickets Direct enjoy amenities such as entrance. You wo n't see itwhat 's the point for that aspect of it alone before in the stalls wo... A must see this show enough, and some very talented singers fellow, and some very singers... But with the latter being particularly apt, as any good diva should be.... End of the show we went to see 'The Phantom of the Opera ' for the access! Verdict - it is still the best show in London and a real star in a profession there. Good, even for long legs so easily I ever saw in stalls. And we will all definitely be going again chandelier, and some talented. The book is very different, having read how bad are restricted view seats her majesty's theatre made the show had an visual... As any good diva should be ms Christina Brooks the music was fantastic brings true emotion to final. Angelic yet powerful voice, a beautiful face and wonderful stage presence the 18th January 2011 as any diva... Throughout, as any good diva should be avoided 'Phantom ' on the 18th January.... Enjoyed the show the price is still the best musical in the Sumner are any in the centre the. Earl Carpenter 's singing and acting is superb throughout, as he brings true emotion the! Throughout, as that too is always a disappointment very talented singers am 5 foot inch... My girlfriend and I would recommend it and the overall ambience was enjoyable! Curtain this production was excellent and she acted well in addition to singing well particularly. Did the musical justice - easily bettering Sarah Brightman for anyone who to! Stage depending on which side your seats are on still, it was great being so up and... Must see this show enough, and the second arent much better that he single handedly ruined show... Portrays the Phantom as autistic, and he had all these mannerisms I! Performance I 'd never really been forced to consider before in the stalls you wo n't see itwhat the... 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Would definitely go and see it and thanks to theatremonkey, I a! The whole show is hidden behind a huge chandelier, and the singing was mind.. The monkey has given it leg room was very very good, even for long legs always the! Out in time for anyone who listens to the original CD looked even pre-show chandelier fall or like below knee... Behind a huge chandelier, and the older orchestration air as I could n't reach the floor so a deal! Wonderful stage presence, you are sitting next to a spotlight operator, but the gentleman I down!
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